Skip to content

“High, hard cold dipping over the trees of Central Park…”

High, hard cold dipping over the trees of Central Park
Strolling to be seen & making it seem easy
David & I were spinning on a couple of hours sleep
Dug in deep & kept on moving past
Rocks jutting out of the ground against the lake
Fat people laying there without moving, shirt up over their belly
Flapping out over their shorts & diving
Melting to the sides against the rock & wondering
Seeing the people watch us from the benches
David flicks the brim of his hat so the tilt is just right
Up & north & onward upsetting the sky
His walk becomes a swagger, hanging blazer
Button-down shirt & faded blue-jeans with the ends frayed
We stopping walking & he points low to the ground
This is where John Lennon died marked only by tiles
And the word “IMAGINE” in a circular sun
People sitting around telling stories about songs
Singing about the time they shook his hand or their White Album LP
Waiting for him to rise but he wouldn’t right here
We continue on at a clip like a heartbeat
Circle around the lake stopping to check out the ladies on the rock
Bikinis squeezing & tucking in everything around their chest
Bottoms like tops, almost there & uneven
The skin is so white like the clouds & they think about their office job
Wear sunglasses in the shape of satellites, no signal to pick up
David points the way forward & I nod in agreement
Keep moving on, more city underneath us
On the top of the lake is a forest of proper trees & bushes
Thinning greenery like hair holds people inside
In its net, watching for their favorite, rare bird
Stopping under a stone arch, I lean to catch my breath
David sits at the edge of the pavement & dirt
We talk about where we’ve been & where we’re going
And we lie in that small way you might leave a word out
I agree that destiny is overrated, conjecture lost
Purpose never found & why would we want to anyway
He throws a stone far enough to lose it in the lake
I scratch my back against the arches arms
As we walk on & circle around the other side
We move slowly past day dates paddling along
New lovers adrift out there on top of so much dirty water
Floating for now & waiting for shade or shadow to kiss
The whoosh of water the only sound to drown out their hearts
The sky is an uncomfortable New York blue, fading fast
As we are leaving we see a crowd cheering a street performer
And we’re almost hit by a father-wife-son on bikes
So close the first pedal nicks my leg, tearing below the knee
Central Park is so big in the middle of the city
The centerpiece of Manhattan, last cornerstone laid
The grass grows only in Central Park & I grabbed a handful of it
And cut down 5th Avenue with David

And the sky shrinks above us into a muted blue retreat
Sucking the last sounds out of the day
Birds gone, clouds overcast & fewer horns & honks
David told me that New York nights might explode like firecrackers
And I was convinced I would too, feeling that second wind
Of the first block outside the park, heading across the streets
North Little Italy is Nolita like some kind of fairytale land
Every doorway has outdoor café seats with lights strung across
Making shapes like Y’s & Z’s, their little centers glowing
Glowing brighter than the tips of cigarettes
Making the soft skin of nighttime girls warm & lovely
We come upon Café Habana on the bottom floor
Of an apartment building carved out in slick steel
Like a diner a little too clean for Havana
Cuban food from Mexico City transplanted
In the middle of this city makes it seem double out-of-place
David puts in his name with the lady at the front
Stealing an extra long glance up & down
Deciding she’s too short or too something
People spillover out into the street smoking & talking
Casual conversations about what they had done during the day
Like it was already history, not enough to remember
A couple stands in the narrow doorway trapped
Between the inside rush & the outside crowd
As we move past them to the counter for a cerveza
Every table is full, right up against the next
The counter has two people to a seat, connected together
Skinny models chewing over salty corn cobs
Bathed in cheese, cayenne & secreto spices
That cakes in the corners of their lips like salt deposits
“Damn! You’ve gotta try the corn!” someone shouts
And a handful of people hold their cobs up in agreement
The walls are white but not just white
They would tell me they are “imperial white”
Or “majestic white” or “patriot white” as if there were a white
That meant more white than the others, we would prove otherwise
After half-an-hour we almost gave up but stepped outside to
Wait a few more minutes because the food looked heavenly
I leaned against the west wall next to David &
We closed our eyes to rest for a second then opened them
I stared across the street at a mural hand painted on the wall
Red atomic explosions & a deathly caricature of power
In black the words were scrawled, “How many more have to die?”
And below it a quote from Martin Luther King &
Ghandi who reminded us what path to take & we were wrong
I told David that it must have been the bad luck of our century
He nodded in agreement because there wasn’t anything left to say
The almost-cute chica called David’s name out & we hurried inside
Shoved into a booth two inches from our neighbor
I ordered a mojito & a beer & some of that corn plus dinner
David a beer, cob & some machaca enchiladas
Now, it was definitely dark outside but the street lights
Made webs of illumination joining together along the boulevard
The corn came & it was so good with a little vicious kick
An aftertaste coating your throat & sure to linger for days
Followed up by a plate split into rice & beans, yellow & red
A huge pork chop smoothed over with a layer of goat cheese
Marinating under a wine & mushroom sauce flavored with black pepper
Weighing down rice into a neatly, compacted pile
And I ate it all up, filling my stomach all the way to the edges
David & I threw some cash down on the table after another round
And ran across six blocks to catch the 9 into the Village

And somewhere south we could say
This town has scars, red & raised on Barclay & Church
Big time like no time at all & almost alive in the afterglow
Of hearts dimmed & silent as if nothing mattered more than war
And as the underground shot through the dingy tunnels
Watching the repetition of lights then cement out the window
David told me he missed Los Angeles & was unhappy here
With all the $25 dollar dinners, girls & drinks-for-two
He said, “That’s what I do, I get up & go, I get up then I go”
He motioned out the window as I saw fly by on the other side
An artifice of construction with rusting girders
And wood twisted into columns, holding things up
That shouldn’t have fallen in the first place
We will have nightmares about nightmares about night
David nods & tells me he hated the month of September before
And he pulls his hat down over his head for five minutes until
The train stops so suddenly I tumble forward in my seat
David wakes up & shouts something unintelligible
And we step out onto the temporary concrete
Glide up the stairs & back out into the ice chill of N.Y.C.
We walk slowly a few blocks to Down The Hatch
Fall down the stairs into a basement of break-apart glass
Through a dying green door & into the under
David waves to a few women in the corner & scrapes across
The floor covered with sawdust to hide the rickets
Flashing neon beer signs like crosses with the edges bright
Burning in this last night on Earth, David bought the first pitcher
We made a home in a corner of the bar overlooking everything
Drank top to bottom $5 beer & pear cider
Until the sweet & bitter taste mixed in our stomachs
Stuck in our throats & promised a bad morning
David faded into the wood, missing words & staring off
At this one couple playing pool across the way
The woman had a tight maroon top clutching her
The guy standing behind her, hands on her hips
Rubbing up against her like two sticks together
She had a look he couldn’t see on her face
Like the evening was sad but she was lonely
She looked like she couldn’t turn around & face him
And in this city lonely is natural & basic
David held his head in his hand, sighed like he always did
Thinking of a better story for her & this 4AM life
“She would look at me,” he said & I nodded
After four pitchers just like this I had to catch the train
Which ran out to Great Neck only every two hours
I planned to sleep it all off & wait for sunlight
We swallowed the last of our glass, polished it off
Took the same connector down to Penn Station
Like all the songs say this city can be long
The night lasted so long like three days
Down the stairs to wait for the 2, David leans
His entire weight & body against the side of the railing
His skin pressing through the grating
He drifts off to sleep, I pace back-&-forth
And yell out to him over the noise that shouldn’t be there
“These trains keep passing us by. They just keep passing us by.”
© Adam Bresson

Tagged , , , ,

Adam Bresson Reading At Velvet Guerilla Cabaret (2/11/2009)

On February 11, 2009, I read at Velvet Guerilla Cabaret, Michael Slobotzky’s reading at Unurban Coffeehouse in Santa Monica, CA. I read one piece: “High, hard cold dipping over the trees of Central Park…” Please visit www.adambresson.org for more poetry and writing. Hope you enjoy!

Tagged , , , ,

“Stricken, caustic city rained on & rotted insides as overnight in Dallas became horizons & light…”

Stricken, caustic city rained on & rotted insides as overnight in Dallas became horizons & light
And you were so beautiful in the haze & disaster of the evening slumped on your suitcase
Sniffing the air & shuffling your feet as your muscles flexed & blended
Dallas is a disaster in the hopeless middle of the country, hollow God figurines
And white-out hot light slither of another calloused country evening down home
Him as a country cowboy, leather boots suffocating his ankles & hat crisp in the air
Cutting through the summer light-dark of a Texas evening to his pickup truck
Bet the over under on the bar down on the corner that serves beer-only, fuck wine & fuck anything
That doesn’t walk two-step locked with the pound of the pavement & the stretch of his reflex
You can tell a Dallas girl from the push of her hair & the pull of her twang
Making country music write sad songs about hard love, good death & fast trucks
Always missing someone or missing out on something & could you ever find it
Out here with only three cities connecting the state, if you were to bisect Texas we’d be tilting left & right
And you can tell a Texas man by his love of everything twice as much
72 oz. steak consuming & the Stetson cologne caking against its lid in the bathroom
Next to the photo of your Mom & Dad holding hands at the high school prom
Destined to be looked at behind glass like a picture zoo stared at to be frozen
You gave us the sickness & our country has come down with it, still under the weather
Serpentine in our throats & a mess of what ifs & have nots
Cities decimated by hopelessness baked away under the red light of fake heat
You generate heat like false hope & I looked out on your city & bled
Crying for dying dreams & kids waking up in the middle of the night motherless & alone
And crying for dying soldiers who would come home anyway to their baby girl & her new father
Fractured halves & thirds of a state, former territory now forcing its mark
You can tell a Texas kid from the way they speak, imperfect A’s & Morse code R’s dropped
Into their parent’s casual conversation about God, Guns & Family
Well there is no nuclear family out here in the middle, no getting out of town
No other freeways driving across endless zero or countryside broken up by
The up down pumping of oil rigs forcing their thick black sludge into the souls
Breaking up the horizon of power lines building themselves before your eyes
Making your future right across the 427 miles laying themselves out before you
Harsh desolation of a slipping feeling faultless America anchored by Dallas & ex-urbs
Mini-malls playing major chords in the cattle call of endless WalMart visits with the family
With your step-down drawl you’re a dead giveaway, forced to die right here in Texas
Odd & awful in that different way you put on your boots before your shirt
And splash water on your face after shaving & ask for a place to hang your hat
I saw eyes just like this lost in an ocean without water but stern, directed, forceful
Looking into fragments of conversation as I drift off into the lessons of jet engines
Leaving Dallas just a city on a map of the country & a people happy with being the same something
In an everything else better off at being flyover top then hot under
© Adam Bresson

Tagged , , , ,

“With all these goddamn bones breaking around me…”

With all these goddamn bones breaking around me
And the music spitting & frothing over these long gone people
Playing blues like the kind that kicks you in the face
Keyboard shining red like a hot fire
And that rimshot that cuts the air & disappears
Leaves a feeling in your gut turning over
As fingers cross over the melody
You feel alone & that makes you alive
Sitting on a stool swaying & broken-down
Watching the steel guitar fight the push
Forced to play by the guy sitting in a black suit & white hat
Following the lead of the drummer with his hat turned back
And his heart in his hand dreaming of 5 cent fountain Cokes
A man in the corner sliding back & forth across the floor
In & out, fingers snapping, him shaking & feet spinning &
I’m sure every year an old man lives a young man dies
Bass is a king & a song & another man shapeless
Curves around the lip of a thick grey four string
Stroking the sound through & through like you believe &
If you don’t believe yet in this revival
In the solemnity of the aftersound & the ringing in your ears
In the echo in your head as a pulsing lullaby
She swaggers on stage & steps to the microphone
Her smile missing the right front tooth
That’s all that’s required to hit that note that used to make you cry
But now you think of just how many beers you’ve had, divide the hours
Subtract the heartache & you’re left with her gravel
Laid out in the sound that makes you hold your head in your hands
And pray for good days in these desperate weeks of bad
Her still holding it in until you stand up & slide out
Too much good sound, your heart pounds & your ears are overflowing
© Adam Bresson

Tagged , , , ,

Adam Bresson Reading At Rapp Saloon (1/30/2009)

On January 30, 2009, I read at Rapp Saloon, a reading at the hostel in Santa Monica, CA. I read two pieces: With all these goddamn bones breaking around me and Stricken, caustic city rained on & rotted insides as overnight in Dallas became horizons & light Please visit www.adambresson.org for more poetry and writing. Hope you enjoy!

Tagged , , , ,

“It’s eyes open during sex in front of the fireplace raging & pulsing…”

It’s eyes open during sex in front of the fireplace raging & pulsing
Then Sunday mornings just laying in bed watching you sleep
Hair criss-cross over your shoulders & sockets hiding
Those beautiful blue ice eyes penetrating

It’s back & forth, seesaw red wine spilling into 1970’s bell glasses
From a bottle that bears the name of never traveled mountains on it
Wilderness of the orphaned heart explored by tip-toe shoes
Of walking miles walking in someone else’s skin

It’s the gracefulness of time, the forgetfulness of hours
And the way when you lay intertwined in me wrapped like letters
I can feel the hot & cold spots of your body graft against me
And want to pull you in closer to see inside

It’s the long, long drive from a county far, far away
Lake Tapps, Washington out of Pierce County turning up Helio Sequence
Opening the windows & beating the morning sun to the asphalt road
Pounding on the accelerator like a brand new cause

It’s the Crazy Town vibe of Bonney Lake Tavern
With Mom jeans, cowboy hats & fluorescent ripped t-shirts
Looking across the room & seeing you talk to your friends
And wanting you back near me so soon right after you walked away

It’s getting in the Jacuzzi by the lake naked & a couple glasses of red in
Realizing it’s ice cold, me standing up on the edge with the moonlight release
Growling down my throat, red wine coat, naked & vital
That cold lake wind creeping over me rolling on towards December

It’s the fever dream of November 4th caterwauling out into the streets
Sprayed with chilled champagne, every photo taken shows your hair wet
Us pressed close together making the “O” & filled with top-of-our-lungs hope
To walk the miles from Broadway to Pike Place for an everlasting nighttime

It’s that DeVotchKa song slithering into my head on a late night drive
“New World” where “you mean what you said” & I shut my eyes while
Swerving up the hill in a fog & a rain, your head in my lap
And you’re telling me “it looks so damn good” baby, so damn good
© Adam Bresson

Tagged , , , ,

“You are my Br-Obama, Obama…”

You are my Br-Obama, Obama
I want to be absolutely clear with you, “you can have whatever you like”
I’m not talking about fancy cars, Petron or dollar bill rolls
I’m talking about fixing shit in all 50 without the Cent
Do you favor the white tuffs of a pocket handkerchief sticking out of your breast pocket? Done.
Blacktop basketball court instead of a patrician bowling alley? Done.
The end of Russian aggression against Georgia & a reasonable settlement of disagreements? Done.
“And we can pop bottles all night…you can have whatever you like”

Damn, I am so Pr-Obama
I walked through the mean streets of Reno up on King Henry
With my brother & his wife in the unforgiving Nevada sun
To yards with McCain signs, to doors with “Beware Of Dog”
Just to put one of your shiny, slick Early Vote flyers
In the chipped wood cricks of their screen doors
Or to convince the new people from out-of-town
That you weren’t going to take their guns away, no way, no how
“Vacations hit the tropics [alright]…you can have whatever you like”

You are S-Obama, man
I lost my voice on November 4th screaming in the streets of Seattle
There was no rain that night & I remember grabbing my girl & kissing her
So long I thought that we’d lose the others in the crowd
But we were all there together, all in this together
Ready to turn the page on the fake cowboy President bullshit schtick
Horses in the yard & a Texas sunset bluescreened in
“I’m talking big boy rides…you can have whatever you like”

I have to let it all out, Obama-san, for you man–
B-Obama: baby named Obama
C-Obama: one who is co-dependent for a decent presidency
D-Obama: my favorite pizza
F-Obama: pretender to the throne
G-Obama: new team chant for the sadsack Chicago Bears
H-Obama: don’t concern yourself with that
J-Obama: Joe Biden fans who fucking hate plummers
K-Obama: your two cute-as-a-button daughters
L-Obama: Spanish for “The Obama”
M-Obama: you’ve got the momentum, screw Joementum
N-Obama: well, they were very, very wrong
P-Obama: one of my favorite New Orleans sandwiches
Q-Obama: someone who wants to leave things the way they are
R-Obama: ralright Raggie!
S-Obama: as in, that ass-kicking you handed the Republicans all over the U.S. looked SO good on you!
T-Obama: we’ve got your back, we will tow the line
V-Obama: what 56% of us did November 4th
W-Obama: a sign of respect, use an exclamation point
Y-Obama: a chant, a mantra, a shout-out-loud chorus
It’s all “big boy ice…you can do whatever you like”

But seriously, man, don’t fuck it up. We’re counting on you.
More than you know Barry O.
© Adam Bresson

Tagged , , , ,

Adam Bresson Reading At Rapp Saloon (1/9/2009)

On January 9, 2009, I read at Rapp Saloon, a reading at the hostel in Santa Monica, CA. I read two pieces: You are my Br-Obama, Obama and Its eyes open during sex in front of the fireplace raging & pulsing Please visit www.adambresson.org for more poetry and writing. Hope you enjoy!

Tagged , , , ,

“How To Be Russian…”

Buy your bread from a store on the corner whose walls are mostly concrete
Whose smell is like yeast staying too long, whose people are not looking up
Don’t look in the eyes of anyone while you pay with not enough currency for
Yesterday’s bread & the thought that if you break this loaf into 34 pieces you may feed
Your family & the neighbor’s several dinners for many days
Travel down to Red Square to get cigarettes under the bridge from the man who
Before the fall of Russia used to punch rivets in steel for twelve hours a day
But now stocks Dunhills (the most requested brand) & distinctly American tobaccos
For less discerning palates in less discerning shadow undergrounds with their
Silly mob passwords reflecting Western culture, boasting a first world new black market Mafia
Accepted as the elite class with their sable Mercedes 7-series & fine Italian suits
And that walk skipping one step with the left foot, stucco gait & shifty stride
Winters that come on like freezer burn with puffy, fur hats & wool jackets thick enough
To cover the stone souls & make sad faces hide under ski masks & earmuffs &
The silent children snuggling against their mothers thick thighs, hidden like Russian dolls
Crack apart the first layer of clothes & find child flower petals wilting in the snow
Wilting under the weight of extended families living in the tenement homes
On the spackled outskirts of austere tundras spread out over St. Petersburg
Drinking vodka like water, drinking water after vodka & using vodka to clean
The stains of oil-slick coffee off a husband’s clothes after he spilled while stumbling
Down the stairs mumbling about USSR & the greatest of Mother countries, motherfuckers
Who fell in love with CNN images of a dying country spitting up blood after swallowing glass
Choking on the mirror-image of the simultaneous fall of the Cold War &
The Red Curtain & the devaluation of a country’s money like their spirit & now confined to
A few ornate buildings sitting in an immense square of wandering lust & fragments of conversation
Which drop onto the blue brick ground & dissolve into the cold air never to be conjoined again
Artifice of Byzantine culture smashed away coldly, run over by government reimagining itself
In the angry winters of Siberia, oil flows over frozen lakes & across wastelands uninhabitable
Sick blood of industrialization then privatization then the desire of comrades to make sweetheart deals
To strip-mine a countryside already plagued by the Ural Mountains insistence that
People who live here far from the industry of undermarkets spend days warming themselves
By fires lit in damaged coal ovens which alternately cook food & warm people
Remember nuclear blasts singeing the farmlands around Chernobyl & livestock left cell-broken
Rotten on the inside from microwave ovens & plutonium breaking down into slush
No meat on the shelves of country stores, no storage of rations or substance
Farms of potatoes used to make everything: batter, bread, alcohol, ammonia
Hiding potatoes under the bed & out in muddy ground, in children’s closets
Telling mythology of princesses taking potatoes to market, selling them for love
A sell-out agricultural effort designed to keep low-income low & fill the shot glasses
Of elite businessmen & travelers who have no time to buy goods & services in
The former Soviet Union, everything past & past tense & colored gray & celebrated brown
I’m a little bit Russian, my grandmother told me that her parents were from a little town
That bought its groceries out of carts hauled by huge oxen & washed in the river
They filtered water over twenty feet of rocks smoothed making a crick-crack sound as they banged
Without reorganizing just slight moves & slight sounds yielding crystals
A town I will never know, the royalty of Socialism, the meaning of circles & spires
That scissor the skyline providing blankets of quiet laying over a city pumping slow blood
Forced to rebuild so many times that they shouldn’t bother creating anymore forward motion
But they do, we do & you will be proud again & you will be Russian
© Adam Bresson

Tagged , , , ,

Adam Bresson Reading At Velvet Guerilla Cabaret (12/17/2008)

On December 17, 2008, I read at Velvet Guerilla Cabaret, Michael Slobotzky’s reading at Unurban Coffeehouse in Santa Monica, CA. I read one piece: “How To Be Russian…” Please visit www.adambresson.org for more poetry and writing. Hope you enjoy!

Tagged , , , ,